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Kira & Logan's Early Spring Wedding in Roseville, CA

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Kira & Logan's Early Spring Wedding in Roseville, CA

Inside a draped Roseville hall washed in magenta uplighting, Kira and Logan's early-spring reception glowed pink from the first toast to the last dance.

The whole room was washed in magenta. That's the first thing anyone walking into Kira and Logan's reception would have noticed — the long white drapes lining the walls lit from below in deep pink and violet, the vaulted ceiling catching the color and throwing it back down soft. We set the uplighting warm and saturated on purpose, so that an ordinary indoor hall on an early-March evening in Roseville turned into something that felt like dusk all night long.

It's an intimate space, and it filled in nicely. White-skirted banquet tables ran down both sides, every chair dressed in a cover and tied with a coral sash, tall rose centerpieces glowing under the lights. At the far end, a curtain of fairy lights and a floral backdrop framed the head table, and even from the back of the room you could find the couple by that little halo of sparkle behind them.

Before any of the color came up, though, there was a hush. Kira walked in to a string version of "Can't Help Falling in Love," and Logan — who'd reportedly promised his groomsmen he'd hold it together — did not. We kept the early part of the night easy after that, a little Sinatra and Norah Jones drifting under the toasts, nothing pushing too hard while people settled in over dinner.

Then Kira and Logan made their way back through the tables hand in hand to "Signed, Sealed, Delivered," already dancing before they reached the floor. Their first dance was "Thinking Out Loud," and they moved like they'd practiced, because they had. Kira's dad spun her clean around during "My Girl" and brought the whole room down. When "September" dropped, the floor in the center filled and never really emptied again.

A few generations mixed under those lights — some swaying close, some teaching the younger ones the steps, kids weaving through the middle. We read the room and kept feeding it, leaning into a throwback block of "Hey Ya!" and "Crazy in Love" when the energy spiked and pulling it back down when people needed a breath. The peak was a full-floor "Mr. Brightside," the whole room a wall of pink-lit silhouettes screaming every word. We closed on "Don't Stop Believin'" and sent them off under sparklers into the cool Roseville night.

Kira and Logan, thank you for letting us light up your night and ride it with you.


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